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Miscellaneous art objects

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PERSIA – DERVISH KASHKUL bowl of Alms COCO De MER Shell
Item #:MAO-014
Price on request Read more
AFGHANISTAN TURKMEN cowhide braided horse whip
Item #:MAO-013
$165.00 Add to cart
UZBEKISTAN BOKHARA Handmade leather woman’s boots
Item #:MAO-012
$475.00 Add to cart
BLACK SEA Hand Carved horn gunpowder holder
Item #:MAO-011
$220.00 Add to cart
EUROPE – Both side quilted cotton blanket
Item #:MAO-009
$375.00 Add to cart
CONSTANTINOPLE – ISTANBUL SULEMANI AGATE healing BEADS
Item #:MAO-007
$450.00 Add to cart
ANATOLIA – Eastern Turkey – MARDIN Shahmeran underglass painting
Item #:MAO-001
$290.00 Add to cart
CENTRAL ANATOLIAN AFYON glass beaded pair of necklaces
Item #:MAO-003
$375.00 Add to cart
AFGHANISTAN TURKMEN Ceremonial silver covered wooden comb
Item #:MAO-005
$115.00 Add to cart
Turkey – Anatolia – Istanbul Antique Sulemani carnelian talismanic stone seal
Item #:MAO-002
Price on request Read more
Turkmenistan small leather saddle
Item #:MAO-006
$485.00 Add to cart

Tribal textiles, weavings and objects of art

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Miscellaneous art objects

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ART LOVERS – Discoveries with textile energy

Layla and Majnun

It is very captivating to disclose what the hidden meanings artworks carry as each had a useful function in the life of the maker, whether covering floors or walls, or decorating favored animals or used as a household item. READ MORE >>>

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turkishfolkarts

Tribal textiles weavings and objects of art from the Silk Road

UZBEKISTAN – FARGANA VALLEY traditional Suzani w

UZBEKISTAN – FARGANA VALLEY traditional Suzani wall hanging / table runner. Circa: 2010. Size: 82″ x 18 ½ ″ – / 210 cm X 47 cm /. Silk very fine chain stitch embroidery on silk atlas ikat. Local natural colors from vegetable dyes. Mughal style floral tulip motifs covering the surface.
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#uzbeksuzani #suzani #tablerunner #centralasia #centralasianart #chainstitchembroidery #embroidery #needlework #handstitched #textileart #tribaltextiles #textile #florals #interiors #homedecor #wallhanging #homeaccent #decorator #interiordesign #сузане #восточныйинтерьер #turkishfolkarts

UZBEKISTAN WEST KUNGRAT KAICHIDON – Scissor bag.

UZBEKISTAN WEST KUNGRAT KAICHIDON – Scissor bag. Circa: 1900 or earlier. Size: 17″ X 8″ – / 43 cm X 20 cm /. Silk chain stitch embroidery on hand loomed cotton. Borders are embroidered with silk cross stitch technique. A unique ethnographic item survived in good condition. Saturated various natural colors with traditional Lakai / Kungrat motifs. Separate cotton backing is not open on top and closed by overcast stitching.
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#centralasia #uzbekistan #scissorbag #kungrat #lakai #embroidery #silkembroidery #textileart #textiles #chainstitchembroidery #crossstitch #ethnographic #florals #turkishfolkarts

UZBEKISTAN BOKHARA Handmade leather woman’s boot

UZBEKISTAN BOKHARA Handmade leather woman’s boots. Circa: 1900 or earlier. Size: 12 ½ ″ / 32 cm / tall // sole: 10″ / 25 cm / long – 3 ½ ″ / 9 cm / wide. Made of a fine pre-dyed leather pieces. A tradition survived a long time in Bokhara to wear such boots in traditional ceremonial days. It has been shortened from top and sole replaced with good leather. It can be worn easily indoor places.
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#uzbekistan #uzbekboots #traditionalleatherwork #ichigitatarboots #leathermosaic #leatherboots #footwear #shoes #boots #leather #handmade #узбекистан #обувь #сапоги #ичиги #читек #кожанаямозаика #изделияизкожи #национальнаяобувь #народныепромыслы #turkishfolkarts
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Ancient skill which unites multicoloured pieces of leather into a single composition...

It is a traditional craft of Tatar people to manufacture various leather goods. Since the dawn of time leather mosaic has been applied in the production of colorful patterned boots - Ichigs by the Kazan Tatars. They were worn by men and women, children and the elderly alike. Ichigs for men were no less intricate in manufacture as the ones for women, but they were more subdued.

In the 18th - 19th centuries, a unique technique for manufacturing these boots was developed in Kazan and the surrounding region, based on the Kazan stitch a special technique that is not used anywhere else in the world. The method used by Tatar shoemakers to create their footwear is rather like that used for mosaics or stained glass. First of all a complex pattern of stylised palm leaves, tulips, zig-zags and rosettes is drawn on paper, then the separate details are cut out of coloured leather, so that they fit together perfectly. And just as in a stained glass window, the masters attach the leather elements to each other using the so-called Kazan stitch, which combines extraordinary strength and astonishing decorativeness - it looks like a twisted cord or string of beads.

UZBEKISTAN CERAMIC PLATE made by “Society of M.S

UZBEKISTAN CERAMIC PLATE made by “Society of M.S.Kuznetsov Tver factory” (“Товарищества М.С. Кузнецова Твер. Фабр.”) porcelain and faience factory, produced before 1917 according the stamp on the back side of the plate (there were various stamps and impressed marks used by Kuznetsov’s plants, depending on the period and origin of manufacture (Riga, Budy of Kharkov district, Dulevo, Novgorod, Verbilki and others). Size: 14″ / 35.5 cm / in diameter and little over 1″ / 2.5 cm / deep. Such floral fruit plates were very popular among Uzbeks on their eating tables for fruits and sweets. Traditional vintage floral designs. Fairly in great condition.
“Society of M.S.Kuznetsov” porcelain and pottery products gained the fame for their impeccable fulfillment and luxurious decor. Significant part of Kuznetsov’s production was oriented on Asian countries and Islamic market with the aim to express aesthetic tastes of these regions with their bright colors, rhythms, motifs and vibrancy.
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#plate #uzbekplates #ceramic #kuznetsov #kuznetsovporselen #kuznetsovporcelain #antiqueporcelain #ceramicart #collectomania #кузнецов #кузнецовскийфарфорор #фарфоркузнецова #фарфор #антиквариат #антикварныйфарфор #русскийфарфор #коллекционныйфарфор #дизайндома #дизайнинтерьера #turkishfolkarts

UZBEKISTAN – FARGAN VALLEY Ottoman design silk t

UZBEKISTAN – FARGAN VALLEY Ottoman design silk top fine velvet Chapan / Caftan. Circa: Contemporary. Size: Arm to arm 62″ / 158 cm / – Height 56″ / 142 cm /. It is designed and made by a master woman tailor. It does not have lining so that it can be worn in Spring and Fall as well as in Winter months. She used Adras silk ikat for facing and other parts with open front without buttons. The design is from Classical Mughal / Uzbek origin. Soft colors combination.
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#Chapan #SilkRoad #SilkRoadStyle #CentralAsia #Uzbekistan #velvet #textiles #asiantextiles #textileart #ottomandesign #ethniccostumes #interiors #homedecor #wallhanging #homeaccent #decorator #чапан #узбекистан #узбекскаяодежда #восточныйчапан #восточныйинтерьер #turkishfolkarts

PERSIA YAZD single piece Silk Ikat panel. Circa: 1

PERSIA YAZD single piece Silk Ikat panel. Circa: 1950 – 1960’s. Size: 73″ X 52″ – 185 cm X 132 cm. Yazd and Kashan are the two main old towns where Silk ikats are still being woven as well as they were the center of Zoroastrian believers as eternal Zoroastrian religion fire is still on in YAZD. Kashan used to be the silk trade center in 18th – 19th centuries. Kashan also used to be famous for its silk rugs and velvet ikats. There are a few ikat weavers left in Yazd and Kashan has revival of Velvet ikats. This one is an old tradition for hanging on walls rather than using as table cover. Depiction of bursting sun in the center. Used and few tiny wear holes, much smaller than seeing on photos. It has a very light weight. Must be used for hanging and well taken care for its age. Interesting it has the graphic of three panels when it is woven as a single piece.
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#ikat #ikatacrosstheglobe #persia #yazd #iranianhandicrafts #ethnictextiles #vintagetextiles #silk #silkikat #handwoven #ikatpattern #ikattextiles #ikatlove #ikatwallhangings #ikatpanel #interiordesign #decorator #interiorinspiration #decor #икат #восточнаяткань #шёлк #turkishfolkarts

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